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The Irish times, 12 January 2007
Thread pulls
Fluorescent 1/2/3 9-pt Records ***

Dublin band Thread Pulls don't do things by halves - these three
simultaneous releases are in limited editions of 100 copies, and come
with individual (and quite rudimentary) artwork by artist Garrett Phelan. Collectors of individualistic music, therefore, will have a field day,
while fans of music that is neither soft nor safe also may find something to treasure here. The musical blueprint appears very much in tune with the
likes of This Heat, The Fall and various Krautrock acts; sounds jumble one
into the other, melodies drift, tunes meander, vocals enter and then exit.
It might sound like drab experimentation, idiosyncrasy for its own sake, but repeated listenings provide glinting, glancing pleasures. The releases are
on sale at Thread Pulls (rare) live gigs and from their website. www.9-pt.com Tony Clayton-Lea

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Playlouder magazine

Thread Pulls performance at ATP, April 2005 curated by Vincent Gallo

And then there's a great vacation as everyone crams into the downstairs
room to catch Thread Pulls. It's our first taste of The Noise of the
weekend... Thread Pulls tree-surgeon Sonic Youth and night-time dockyard
menace is a harsh contrast to the lush, impending spring outside. Mean
and satisfyingly metallic guitar chords are laid deftly over a
hovering voice, almost like the feeling I imagine the chap I saw wave
para-wave-surf-thing in the beach earlier enjoys, but more about subtle atmospherics than flying off the top of the foam exultance. Luke Turner

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The wire, issue 252, February 2005
Thread pulls,
Summer songs
Ninepoint Records (9.1) CD
The slow angular spiked guitar trudge of Dublin young pups and three
piece Thread Pulls is built from feedback, dissonant chops and reedy
vocals that put one in mind of Thurston Moore traversing a tar pit,
laborious foot lift by laborious foot lift, guitar dripping black oily
tendrils and bitumen clots, like a heathen god risen from a forbidden
land: a Subsonic Youth in every sense. This debut mini album collects
five tracks and is an admirable declaration of intent. Opener “Summer”
builds over a riff churning like an idling diesel engine, high guitar
chimes ushering in the buzzing tectonic bass and drum part led by pinpoint cymbals, before the vocal arrives. This modus operandi works to
particularly fine effect on the somnambulant sludge riffed “Nearly
There” and the disenchanted stop-start squalls of final instrumental
track “Building”. Nick Southgate
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